While on a work visit to San Francisco we had the opportunity to pop in to Sarah’s exhibition at the Legion of Honour. The large concrete boots looked stunning in the formal setting. Digital processes were used early on to visualise scale, and then the scan information was used to produce an initial enlargement, before modelling and casting in concrete. Scanning accurate placement for artists is now becoming an essential part in works like this, where there are multiple objects or plinths. The artist can be confident that the work will be positioned in the way they have chosen and the foundry has accurate engineering data for plinth and armature construction. We were so glad to have had the opportunity to see the work in it’s intended location.